I work primarily with movement-based photography, focusing on the body in states of transition rather than fixed poses. The images sit somewhere between portraiture and documentation, shaped by attention to weight, balance, breath, and the moments just before or after action.
My practice is informed by dance and performance, and I’m especially interested in how trained movers carry intention through stillness. Rather than directing set shapes, I work collaboratively, allowing movement history and physical awareness to surface naturally in the frame.
I’m keen to collaborate with models who have backgrounds in dance, ballet, contemporary movement, physical theatre, or other embodied practices. No prior modelling experience is necessary — sensitivity to the body, spatial awareness, and curiosity are far more important than conventional posing.
The work prioritises presence over polish, and process over spectacle.